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Picturing the Past

Picturing the Past PDF Author: Bonnie Brennen
Publisher: University of Illinois Press
ISBN: 9780252067693
Category : History
Languages : en
Pages : 263

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Book Description
Explores the relations between photo-journalism and history, investigating how photographs shape both, what we remember and how we remember. This book provides insight into how photographs, generate a sense of national community, and reinforce prevailing social, cultural, and political values.

Picturing the Past

Picturing the Past PDF Author: Bonnie Brennen
Publisher: University of Illinois Press
ISBN: 9780252067693
Category : History
Languages : en
Pages : 263

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Book Description
Explores the relations between photo-journalism and history, investigating how photographs shape both, what we remember and how we remember. This book provides insight into how photographs, generate a sense of national community, and reinforce prevailing social, cultural, and political values.

Parallel Curriculum Units for Social Studies, Grades 6-12

Parallel Curriculum Units for Social Studies, Grades 6-12 PDF Author: Jeanne H. Purcell
Publisher: Corwin Press
ISBN: 1452272824
Category : Education
Languages : en
Pages : 240

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Book Description
Covering history, geography, and sociology, these sample lessons and units show how to use the Parallel Curriculum Model to provide rigorous learning opportunities for students in social studies.

The Camera as Historian

The Camera as Historian PDF Author: Elizabeth Edwards
Publisher: Duke University Press
ISBN: 0822351048
Category : History
Languages : en
Pages : 326

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Book Description
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.

Handbook of Imagination and Mental Simulation

Handbook of Imagination and Mental Simulation PDF Author: Keith D. Markman
Publisher: Psychology Press
ISBN: 1136678093
Category : Psychology
Languages : en
Pages : 488

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Book Description
Over the past thirty years, and particularly within the last ten years, researchers in the areas of social psychology, cognitive psychology, clinical psychology, and neuroscience have been examining fascinating questions regarding the nature of imagination and mental simulation – the imagination and generation of alternative realities. Some of these researchers have focused on the specific processes that occur in the brain when an individual is mentally simulating an action or forming a mental image, whereas others have focused on the consequences of mental simulation processes for affect, cognition, motivation, and behavior. This Handbook provides a novel and stimulating integration of work on imagination and mental simulation from a variety of perspectives. It is the first broad-based volume to integrate specific sub-areas such as mental imagery, imagination, thought flow, narrative transportation, fantasizing, and counterfactual thinking, which have, until now, been treated by researchers as disparate and orthogonal lines of inquiry. As such, the volume enlightens psychologists to the notion that a wide-range of mental simulation phenomena may actually share a commonality of underlying processes.

Clio's Daughters

Clio's Daughters PDF Author: Lynette Felber
Publisher: Associated University Presse
ISBN: 9780874139815
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
They discover new texts and methodologies, exploring nineteenth-century British women's historiography, their writing of history, often through unexpected sources not previously regarded as historical venues: journalism, travel writing, architectural preservation, and costume balls."--BOOK JACKET.

Harriet Martineau and the Birth of Disciplines

Harriet Martineau and the Birth of Disciplines PDF Author: Valerie Sanders
Publisher: Routledge
ISBN: 1317123662
Category : Literary Criticism
Languages : en
Pages : 248

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Book Description
One of the foremost writers of her time, Harriet Martineau established her reputation by writing a hugely successful series of fictional tales on political economy whose wide readership included the young Queen Victoria. She went on to write fiction and nonfiction; books, articles and pamphlets; popular travel books and more insightful analyses. Martineau wrote in the middle decades of the nineteenth century, at a time when new disciplines and areas of knowledge were being established. Bringing together scholars of literature, history, economics and sociology, this volume demonstrates the scope of Martineau's writing and its importance to nineteenth-century politics and culture. Reflecting Martineau's prodigious achievements, the essays explore her influence on the emerging fields of sociology, history, education, science, economics, childhood, the status of women, disability studies, journalism, travel writing, life writing and letter writing. As a woman contesting Victorian patriarchal relations, Martineau was controversial in her own lifetime and has still not received the recognition that is due her. This wide-ranging collection confirms her place as one of the leading intellectuals, cultural theorists and commentators of the nineteenth century.

The Culture of History

The Culture of History PDF Author: Billie Melman
Publisher: Oxford University Press on Demand
ISBN: 019929688X
Category : History
Languages : en
Pages : 363

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Book Description
In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in the most literal sense of 'looking') and made use of it in a social and material urban world, and in their imagination.Covering the period between the Napoleonic Wars and the Coronation of 1953, Melman recoups the work of antiquarians, historians, novelists and publishers, wax modellers, cartoonists and illustrators, painters, playwrights and actors, reformers and educationalists, film stars and their fans, musicians and composers, opera-fans, and radio listeners. Avoiding a separation between 'high' and 'low' culture, Melman analyses nineteenth-century plebeian culture and twentieth-century mass-culture andtheir venues - like Madame Tussaud's Chamber of Horrors, panoramas, national monuments like the Tower of London, and films - as well as studying forms of 'minority' art - notably opera. She demonstrates how history was produced and how it circulated from texts, visual images, and sounds, to people andplaces and back to a variety of texts and images. While paying attention to individuals' making-do with culture, Melman considers constrictions of class, gender, the state, and the market-place on the consumption of history.Focusing on two privileged pasts, the Tudor monarchy and the French Revolution, the latter seen as an English event and as the framework for narrating and comprehending history, Melman shows that during the nineteenth century, the most popular, longest-enduring, and most highly commercialized images of the past represented it not as cosy and secure, but rather as dangerous, disorderly, and violent. The past was also imagined as an urban place, rather than as rural. In Melman's account, City notgreen Country, is the centre of a popular version of the past whose central Images are the dungeon, the gallows, and the guillotine.

Pretty Pictures

Pretty Pictures PDF Author: C. S. Tashiro
Publisher: University of Texas Press
ISBN: 0292786921
Category : Performing Arts
Languages : en
Pages : 252

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Book Description
Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. Tashiro looks at cinematic production design from a broadly interdisciplinary perspective, encompassing art and architecture theory, audience reception, narrative theory, and phenomenology, to arrive at a more encompassing definition of the process. He builds his argument around studies of several prominent history films, since design is central to historical representation, and explores the most pertinent issues raised by the topic, particularly commodity consumption. In his conclusion, he also offers possible solutions to some of the social problems raised by design.

Frederic Church

Frederic Church PDF Author: Jennifer Raab
Publisher: Yale University Press
ISBN: 0300208375
Category : Art
Languages : en
Pages : 236

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Book Description
A reconsideration of Church's works offering a sustained examination of the aesthetics of detail that fundamentally shaped 19th-century American landscape painting.

Picturing the Past

Picturing the Past PDF Author: Rosemary Mitchell
Publisher: OUP Oxford
ISBN: 0191543225
Category : History
Languages : en
Pages : 326

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Book Description
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.